Writ­ten by Paul Stathakis  |  Jan­u­ary 29, 2012

In 2011, we were taken on a clas­si­fied mis­sion which was impos­si­ble to for­get because it was incred­i­bly enter­tain­ing. We spent mid­nights in the Paris of the 1920s. We watched a base­ball team try to beat the odds. We rooted for a boy and his spe­cial horse. We were car­ried into the lonely uni­verse of a soft-spoken get­away dri­ver. We watched, painfully, as a young man coped with a baf­fling dis­ease. We were reminded of that crazy lit­tle thing called love as a middle-aged man took notes from a young hand­some men­tor. We were intro­duced to a bureau unlike any other, unafraid to make spe­cial adjust­ments when nec­es­sary. There was a group of funny brides­maids who proved that they could be as funny as a group of hun­gover ush­ers. We also got a les­son in pol­i­tics when we were taken behind-the-scenes of a pres­i­den­tial cam­paign to see how messy things can get. And, finally, we were charmed by a lit­tle silent pic­ture that, iron­i­cally enough, spoke to us more than any other “talkie” this year. These are the films that marked 2011. These are the ones you’ll want to see if you like your movies the way I like them. Enjoy.

 

1. The Artist
(Dir. Michel Haz­anavi­cius, PG-13, 100 min)

 

2. Drive
(Dir. Nico­las Wind­ing Refn, R, 100 min.)


3. Mon­ey­ball
(Dir. Ben­nett Miller, PG-13, 133 min.)

 

4. War Horse
(Dir. Steven Spiel­berg, PG-13, 146 min.)

 

5. Mid­night in Paris
(Dir. Woody Allen, PG-13, 94 min.)

 

6. The Adjust­ment Bureau
(Dir. George Nolfi, PG-13, 106 min.)


 7. The Ides of March
(Dir. George Clooney, R, 101 min.)

 

8. Mis­sion Impos­si­ble: Ghost Pro­to­col
(Dir. Brad Bird, PG-13, 133 min.)

 

9. Brides­maids
(Dir. Paul Feig, R, 125 min.)


10. 50/50 (tie)
(Dir. Jonathan Levine, R, 100 min.)

 

10. Crazy, Stu­pid, Love. (tie)
(Dir. Glenn Ficarra, John Requa, PG-13, 118 min.)

 

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Hon­or­able men­tions: Hor­ri­ble Bosses, Rango, Super 8, Lim­it­less, The Trip, and Larry Crowne (this one’s a guilty plea­sure, I enjoyed it, I thought it was good old-fashioned fun)

Biggest dis­ap­point­ments of the year: The Change-Up, Bad Teacher, Your Hig­ness, Hall Pass, Tres­pass, No Strings Attached, The Green Lantern, Straw Dogs, Car­nage, and Hugo (who would’ve ever thought that a Mar­tin Scors­ese pic­ture would ever disappoint?)

 

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